● SYSTEM ONLINE EXPERIENCE.LOG REMOTE TECH SERVICES 2007 → NOW
C:\PJGREEN> open experience.log

The full arc.

Navy mass communication, a carrier flight deck, naval-comms contracting, Disney's distribution library, reality-TV post, and now remote tech services. Different uniforms, one job: run the operation and build the system that keeps it reliable.

This page is the receipts drawer: the career proof behind the websites, troubleshooting, consulting, automation, documentation, and media-ops work I can do remotely.

12+ years in media operations 6 IMDb credits · ~55 episodes Russell Egnor Navy Media Awards Former Secret clearance (inactive)

Work history

Every role, expandable

Present to past. Tap any role to expand it. Employers are named here, as is standard for a personal site; the case study keeps internal system details sanitized.

  • Built the company's single source of truth from nothing across a portfolio of 112 active clients — designed a normalized, governed ~30-table Airtable base as the canonical system of record.
  • Architected P3 Command Center (→ read the case study): Airtable as source of record, an operational cache & service layer, and the marketing CRM as the execution layer — unified via custom REST/JSON APIs.
  • Built production AI workflows — Claude & Gemini agents, embeddings/RAG retrieval, MCP tool access — all with human-in-the-loop approval gates; and an AI-discoverability audit tool that scores pages for LLM-driven discovery.
  • Replaced scattered, ad-hoc LLM chats with a centralized content engine: client profiles auto-researched (web scraping + scheduled SEO-data pulls + AI), then routed and tuned per channel — a Clay-style enrichment engine built with no-code platforms and APIs.
  • Single technical point of contact across the portfolio — WordPress, client CRMs, Google Business Profile, Moz Local, Google Ads, and Meta asset ownership — translating non-technical owners' needs into shipped solutions and training them to adopt the new workflows.
  • Reliability & security hardening: stale-while-revalidate cache, retries, durable webhook retry queues, schema-drift detection, and an Airtable write lockdown (write logic extracted to a service layer). 0 type errors, 920/923 tests passing.
  • Conservatively estimated 50-80 hours/month reclaimed across a six-person core team through centralized status, cleaner approvals, better reporting context, and more reliable integrations. (Internal estimate, not an employer-tracked KPI.)
AirtableMake.comGoHighLevelClaude / GeminiRAG / embeddingsMCPREST / JSON APIsWordPress
  • IMDb-credited assistant editor on 6 network & streaming series, ~55 episodes (credited as "P.J. Green (II)"):
    RH of Salt Lake City — 16 epsBelow Deck Adventure — 13 eps101 Places to Party Before You Die — 8 epsRH Ultimate Girls Trip — 7 epsAEW: All Access — 6 epsRH of New York City — 5 eps
  • Owned QC across multiple video CMS platforms — video quality, audio consistency, and metadata accuracy — for network and streaming delivery (Bravo, Peacock, TBS).
  • Ran Avid Media Composer transcoding workflows to delivery deadlines; collaborated with editing teams to streamline workflows and deliver ahead of schedule.

View credits on IMDb ↗

  • Sales and marketing collateral, presentation, and logo design for Winspeed Technologies — product PDFs, a line card, proposal design, a "Valhalla" presentation deck and logo.
  • Private-client portrait photography packages (headshots and family/storytelling sessions).
  • A continuous creative practice running alongside the Disney and Shed eras. See the photography →
  • Governed the Buena Vista Distribution library — taxonomy, metadata, and end-of-production distribution for all Disney licensed materials across Disney+, ABC, Disney Channel, Freeform, and Walt Disney Animation Studios.
  • Collaborated on merging the Disney and Fox asset libraries for international distribution following the 21CF acquisition — a systems-integration project at brand scale.
  • Designed and ran live-event "Photo Rooms" — NAS + LAN with 5–15 Mac workstations, ingest-to-global-distribution with built-in redundancy and SOP failsafes. Events: 2× Oscars, 2× D23 Expo, 3× Radio Disney Music Awards, ESPYS. (When a server went down live at the Oscars, the pre-built failover I'd designed kept distribution running — proactive, not reactive.)
  • Implemented a Podio ticketing system for international asset requests; authored all internal technical documentation; ran daily high-volume press distribution via the ABC press site.
MAM / DAMDistribution pipelinesLive-event infra (LAN/NAS)PodioSystems integration
  • Civilian lead for naval public affairs: developed, managed, and published video and social-media content across all Naval Surface Force, U.S. Pacific Fleet (COMNAVSURFPAC) web platforms.
  • Pioneered new media-collection efforts to boost the efficiency of naval image distribution and social engagement; contributed to messaging around the Littoral Combat Ship (LCS) program.
  • Layout editor for Surface Warfare Magazine (Spring 2014).
  • Russell Egnor Navy Media Award, CY2013 — individually named: 3rd place, Video: Social Media ("CNSP Holiday Video," credited as Mr. Patrick Green, NAVADMIN 137/14).

Graphics Supervisor (E-5) — USS Carl Vinson (CVN-70) · 2009–2012

  • Promoted to Nights Lead for the second of two combat deployments — ran the entire media shop under intense operational tempo.
  • Lead photographer for medical documentation, training, and ceremonies; multiple assets published in national outlets. Managed all newspaper layouts and graphics; built vectorized asset libraries to standardize the ship's visual communication.
  • Covered historically notable events from the flight deck and the shop.
  • Unit Russell Egnor Navy Media Awards (CY2012) with "The 70" newscast — 1st place, Video: Newscast; 2nd place, Video: Information Program (NAVADMIN 086/13).

Trident Newspaper Staff — U.S. Naval Academy · 2008–2009

  • De facto layout editor: complex center-spread designs for the bi-weekly publication.
  • Photographed two USNA graduations (keynotes by VP Biden and Senator McCain) and shot the officially-published image of President Obama arriving at the 2009 commencement. See it in the gallery →
  • Collaborated with the USNA Photo Department on professional photo archiving and asset-management protocols.
Leadership under pressurePhotojournalismGraphics / layoutAsset libraries

Education, certifications & awards

The credentials behind the arc

Education

B.S., Media Communications
Full Sail University · 2012–2015

Certifications

HTMLInDesign CCPremiere Pro CCFoundations of AudioDigital Audio Principles

Trust & clearance

Former U.S. Navy Secret clearance (inactive). A career of handling classified material, embargoed media, and live client credentials — no incidents.

Russell Egnor Navy Media Awards

  • CY2012 — unit (USS Carl Vinson media department): 1st place, Video: Newscast and 2nd place, Video: Information Program for "The 70" (NAVADMIN 086/13). Served in the media shop through Aug 2012.
  • CY2013 — individually named: 3rd place, Video: Social Media for the "CNSP Holiday Video" (NAVADMIN 137/14), during the COMNAVSURFPAC contract.

Contact

Remote tech services, grounded in the full career arc.

Remote help for websites, troubleshooting, consulting, automation, content operations, media workflows, and documentation.